Albor, whose designs are characterised by his unique approach to menswear and catering to the “bear community”, combines tailoring and undergarments to design oversized and precise silhouettes. Guided by what he calls the “Love Revolution”, he uses clothing as a tool to give space to the body rather than restrict it.
Meanwhile, Moro’s style and approach are deeply rooted in her philosophy of “E ART H – Earth as Art”, redefining nature as the new luxury. She sees nature as a compass, translating its forms, patterns, and intelligence into a distinctive design language crafted through refined Made in Italy garments.
Combining Chinese ceramic heritage with contemporary fashion, Liang designs wearable sculptures that blur the boundaries between object and body. He creates a dialogue between tradition, craftsmanship and material experimentation, influencing the conventional perceptions of ceramics and textiles.
Another designer, Marcelot, bridges urban life and rural heritage to define a unique vision of “agricultural sophistication” through sharp, highly crafted and playful leather goods and accessories. Embracing unexpected combinations, her work draws inspiration from agricultural machinery, landscapes, and everyday tools.
Embodied in her modular collection “The Lasting”, Breuker features design classics with convertible and flexible elements. Garments made from leftover stock are crafted to adapt to the wearer’s body, promoting longevity, repairability, and versatility through mix-and-match pieces.
Finally, Jao explores clothing as a form of transformation and emotional expression, bridging Japanese technical innovation with Italian craftsmanship. Influenced by her background in fine arts and extensive training in Japan, her approach prioritises form, structure, materials, and construction over mere styling.
