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The Birmingham Royal Ballet has come back to Plymouth with a classic show, “The Sleeping Beauty”, directed by Carlos Acosta and coached by Dame Darcey Bussell. Last time they were here with “Black Sabbath – The Ballet”, they wowed local audiences.

But this time the world-renowned dance company return to Plymouth with a more traditional production. Sir Peter Wright’s “The Sleeping Beauty” celebrates its 4Oth anniversary this year. It may be advancing in years but it’s anything but tired.




From the live orchestra playing Tchaikovsky’s famous score to the intricately designed sets and lovingly restored costumes, this show is a masterpiece.

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The dancers, of course, take centre stage. Directed by Carlos Acosta and coached by Dame Darcy Bussell, all of the performers are so incredibly expressive that following the fairy tale narrative is effortless. In that sense, “The Sleeping Beauty” is the perfect ballet to watch if you’ve never seen one before.

Its introduction is epic. Loud trumpets herald the arrival of King Florestan and his Queen when they gather to celebrate their daughter’s christening. A series of captivating group and solo performances lighten up the lavish set whilst the royal couple rejoice in the safe arrival of their precious daughter, Princess Aurora (Céline Gittens). It’s a fast paced, joyous prologue enhanced by its superb set and costume design. The team capture the opulence of palace life so accurately that you feel as though you’ve been physically pulled inside a Neoclassical painting.

But as magical as these opening moments are, the entirely black costumes worn by Princess Aurora’s maids hint at the dark events that lurk beneath the gloss of this grandiose occasion. Carabosse’s (Gabriel Anderson) disruptive and dramatic arrival marks one of the most memorable aspects of the night. Thunder erupts and like a bat out of a hell, he explodes onto the stage accompanied by an evil entourage dressed as demonic black crows. Anderson’s performance brings a macabre energy to the previously serene stage and his henchmen create carnage. Reveling in their villainy, they stamp and roam the stage like rabid dogs. The groups’ more modern movements really bring this dark side of the story to life.

But Sleeping Beauty is, overall, a happy story and so The Lilac Fairy (Yu Kurihara) starts putting a plan into place to save Princess Aurora from Carabosse’s curse. The Lilac Fairy’s performance is utterly mesmerizing. Elegantly beckoning the branches of the trees to descend from the sky, she helps to reassure the audience that good will conquer evil and Aurora will survive.



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